Hawaii 5-O

Just a quick side project before I delve back into the mermaid tail....plus I have a deadline for this one. My 30-year high school reunion is coming up the third week of July. We are having an "informal" BBQ thing and will have a float in our local "Doo-Dah" parade (it's a small town...we have nothing better to do). The theme for our reunion and the float will be "Floating Down Memory Lane", and we plan to have things to do with summer, lazily floating down a river, wearing Floaties or inflatable rings. Which, by extension, made me think of warm weather, luaus, drinking mai tai's out of a tiki glass, palm trees (you see where I'm going with this, right?) But where to fit something "costumey" into the picture? Well, I have this Simplicity pattern for a fabulous, retro 50's Hawaiian-style wrap dress I had made up once in this really cute fabric that had a white background with red and blue parrots on it. Unfortunately, it somehow became a victim of my mad frenzy of getting rid of anything and everything that had to do with my old life during my divorce and I no longer have it. So! Time to make a new one....

We have two...count 'em...two places to get fabric within a reasonable driving distance from where I live - Walmart and JoAnn. Apparently upstate NY isn't into the whole "tropical" motif thing, so pickin's were slim. However, I got lucky and found a cute pattern with a black background, which I think will turn out very nice!

And a flower for my hair!

This shouldn't take too long. I'll post the finished product, as shots of every step of this could be quite boring...

And as of this posting, I have the top section and wraps already finished. I'll start on the skirt section tomorrow.

Wedded Perfection Two Centuries of Wedding Gowns - The Exhibit

I had always thought that "ART" was the last bastion of all things avant garde...pushing the envelope, breaking the rules - where someone could swipe some black and green paint on a 5 foot tall canvas, give it a title like "Intrigue" or "Girl With Straw Hat Picking Flowers", hang it up under a soft spot light and be hailed as one of those who somehow is privy to things that the rest of us are not (like how anyone in their right mind could consider black and green paint smeared on a piece of canvas as "art") But apparently the Cincinnati Art Museum who loaned the "Wedded Perfection" wedding gown exhibit to the Munson Williams Proctor Art Museum failed to get the memo...

I walked in, prepared to take pictures of the dresses I liked with my iPhone and capture as many of the details of the decorations, bustles, lace and pleats as I could. I snapped a picture of a rather elegant, close fitting gown in a cream velvet that was displayed dramatically on a staircase when a voice behind me said, "Ma'am, no pictures are allowed. It's not us - it's the Cincinnati Museum of Art's rule".

You've gotta be kidding me! No pictures? Why? I wasn't using a flash, so there was no chance of damaging the delicate fabrics through some sort of burst of UV rays from my flash. I was using my cell phone camera, so no chance of taking devastatingly fabulous, hi-rez photos that I could then sell as prints and become independently wealthy from. There were no audio-animatronics that I was aware of that could have malfunctioned from the use of my camera, and I had every intention of purchasing the overly-priced museum book that accompanied the exhibit once I exited through the gift shop...

This dress is made from.....latex gloves!

Now, normally I am a "rule-abiding" citizen - I recycle, I clear my table off at the fast-food restaurant, I don't take up two parking spaces - but when the "rules" are ridiculous and make no logical sense, then my inner teenager comes out, and I look for ways to "bend" the rules (they're more like guidelines....really).

Hmm, I know how she feels....

So, I "surreptitiously" took a few photos here and there. Consequently, many of them are blurry. I couldn't get any close-up details, nor could I get more than one angle. The museum guards (more like elderly gentlemen in suit jackets) shadowed everyone viewing the exhibit as if the Hope diamond and the Mona Lisa were on display. Even if I *hadn't* been breaking the rules and sneaking a photo here and there, I would have been EXTREMELY annoyed. This made enjoying the exhibit almost impossible.

I understand that it would be annoying to the other patrons if everyone was running around taking flash photography and generally being a nuisance, but I was quiet, using my phone camera and NO FLASH. I was not bothering anyone....

Russian Fantasy Wedding Dress

After I got busted the second time by a guard with a huge mustache, he kept tailing me like I had gotten caught shoplifting at Walmart....I was really starting to get annoyed now...

The whole point for a "costume geek" to go to an exhibit of vintage clothing or movie costumes is to TAKE PICTURES, lots of pictures, from every angle - close-ups of all the trim - every puff, bustle, button, drape,  pleat and ruffle....anything that shows construction, seams, hooks, laces, zippers, etc....All for the purposes of RECREATING THE DRESS. Otherwise, what is the point? Sure, maybe if we can draw, we could spend all day trying to "sketch" these things, but really.... that is neither practical nor always possible. So, to forbid taking photos to someone like myself ruins the whole exhibit, which, happened here.

I ended up leaving earlier than I had anticipated, mainly because I didn't feel like being followed around like I was a spy who had stolen the plans to the Death Star, but also because the whole atmosphere was stifling...

Oh, and....I didn't buy the book that went with the exhibit - take THAT Cincinnati Museum of Art!

Wedded Perfection Two Centuries of Wedding Gowns » Munson Williams Proctor Arts Institute

While everyone is running around championing the cause of gay marriage (and I say, "Why not double the business for the divorce lawyers?"), I am currently very much opposed to, down on, against and otherwise fed up with the "institution" of marriage; however, that doesn't stop me from drooling over the fact that the Munson Williams Proctor Art Museum has just opened a new exhibit titled, "Wedded Perfection: Two Centuries of Wedding Gowns", featuring a collection of more than 50 wedding gowns dating from the late 1700s to today (Meh - I couldn't care less about anything after 1950 or so....)

The exhibit, on loan from the Cincinnati Art Museum, "will explore the origin of western bridal traditions, periods when the ‘traditional’ white wedding dress was not worn, trend-setting wedding dresses, contemporary and avant garde wedding dresses, and influential designers." and "women’s role in society and within the institution of marriage with the evolving aesthetics of wedding gowns".

I may head over there this weekend, camera in hand, to check it out.

But it's not a Remington

No reason for this post other than the fact that my flintlock is full of win! Two words - Grendel's Cave...




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Tails o' the Sea

This may prove to be my most ambitious project yet - Well, there was the pool table pirate ship...and the working guillotine (sans a real blade)....and of course the yurt, the drop weight loom....Oh, nevermind all that! Okay, let's just say it may be my oddest project with the most potential for going completely wonky - but since when has that ever stopped me...

I give you.....A Mermaid tail. And not just any mermaid tail, but one which can me worn to swim with in water. You don't believe me? Well, do not take my word for it...go ahead, ask Helga! (20 points if you got that) But I digress...There actually exists a community of people who do this sort of thing from professional mermaid tail makers like Eric Ducharme of Mertailor, who caters to the rich and famous and the Mermaids of Weeki Wachee, to little girls in their bedrooms uploading videos to YouTube on how to make a mermaid tail out of Lycra and cardboard.

But the best source I found for what I wanted to do was somewhere in between; The Mermaids and Mermen Costuming Forum on Yuku. Oh, yes, you truly can find anything on the Internet. After browsing around the site for a while, I found the Holy Grail of MerTail tutorials thanks to a wonderful woman named "Missfit1023" on DeviantArt. I had my starting point and basic list of supplies I would need.

First, I would need a "Monofin" - Several people on the forums were debating the merits of this brand over that, homemade over store bought - I went for convenience and price and found a Finis Wave on ebay for about $40. Afterall, I'm not going to be a professional mermaid and be swimming with it for 3+ hours a day, every day, so I didn't need the stiffer "Rapid". This will be fine for my porposes...This goes "inside" the tail so you can truly propel yourself in the water.

Next - Neoprene....ya know...wetsuit material. I explored a couple of sources and was going to go with Stretch House, but I actually found some at my local.....JoAnn's has Neoprene?! Not only did they have it, but they had it at a JoAnn's in my area, which, if you knew where I lived, we have NOTHING....and the price was as cheap as I'd seen it online, $18 a yard...BUT it's also 60 wide so you can get away a little cheaper - Of course, stupid me, didn't take into account the length of the fluke (I should have made my pattern FIRST and THEN bought the Neoprene) and I didn't get enough, so I'll have to go back and get some more. Note to self: Make the pattern FIRST, THEN buy the material :-)

I then made my pattern. Years ago....and I do mean YEARS....like probably 20....I bought a roll of butcher paper at a Price Club store. I have used that paper for countless patterns and craft projects, and I STILL have most of the roll left. It was the best $25 I ever spent! I rolled out some paper, lay down on it and "traced" myself with the Monofin on, getting the general shape and size of my legs from mid-abdomen down and around most of the Monofin. I then made my tracing about an inch and a half bigger than where I traced for sewing and fudge factor, cleaned up the lines, added a tail fluke and cut it out. This is how my pattern turned out.

Stay tuned...more to come.

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New Life for a Straw Hat (or Making a Tricorn in 3 easy steps)

Take one plain, round, medium-brimmed straw hat - I got this one at a thrift store for $3.00...

Spray with water until slightly damp, pinch up the sides in three places. Clip with some binder clips and let dry.

Decorate with cockades, feathers, ribbon...whatever you like. (Thanks to American Duchess for the tutorial on making cockades :-)

Take a few stitches with some heavy duty thread to tack the sides to the crown of the hat for extra strength. I glued seam binding around the edges of mine, but you could also sew it on if your machine can take it or if you want to do it by hand...And there you have it!

Meself wearing said hat... ;-)

Elizabeth Swann's Stays: POTC:COBP - A Study

Okay, I'm gonna kick this baby off with an oldy but a goody from my "Live Journal" site (which I never go on anymore, so I may as well bring the good stuff over here). This was first published on May 28, 2008.

For those of you wishing to recreate the pink stays that Elizabeth wears in POTC: The Curse of the Black Pearl, this is a study and break down of the stays and it’s elements, gleaned from pictures of the actual stays which were sold on ebay, screen captures, source material on 18th century stays in general, and my own impressions and interpretations. This will hopefully allow you to recreate the stays as closely as possible to the original.

As always, the usual legal disclaimers apply. This is for educational and entertainment purposes only. All characters, likenesses, logos, images, etc. etc. are the sole property of the Disney Corporation and its minions, etc. etc., so on and so forth.

The construction methods used on these stays are modern construction methods (i.e. machine sewn), as befits a clothing item for the screen, and the fact that these particular stays were “sliced” open in one scene. Thus, numerous copies were made with the front being closed with “lacing” and the lacing being “sliced open”. The general shape of these stays is consistent with the 18th century silhouette and is very similar in look to the stays on page 135 of “Period Costumes for Stage and Screen 1500-1700” and also on page 42 of “Corsets and Crinolines”. The pattern pieces and boning channel arrangement look to be something like this:

These stays are made up of eight pattern pieces, four on each side – front, side front, side back and back, with a total of 16 tabs, eight on each side; one tab on each front, three on each side front, three on each side back and one on each back piece. The lacing in the front is a false lacing, i.e. it has no function of being able to be laced and unlaced, and there appears to be a modesty placket of some sort in back of this lacing. This description comes from the Disney auction of these stays: "Specially outfitted with a Velcro-fastening front beneath mock laces, this peach-colored corset with chain-stitched trim..."

The front lacing appears to be a thin, white or off-white cording. It is hard to determine from the photos whether or not this lacing is accomplished with small white or pink eyelets, or if the lacing is directly attached through the fabric; perhaps through a hole pierced with an awl, so that the fabric does not “tear” but rather would close back up around the lacing.

The fabric that is used on the outside is some type of woven fabric, which is a peachy-pink alternating with white, giving an almost “striped” or “corduroy” effect from a distance. The inside is lined with what looks like plain old muslin. The seam allowances look to be folded around and tacked down on the inside of the stays. If you look closely at the photo below, you can see through the muslin what looks like a dark-colored boning and on the bottom one, you can just make out some slight ridges. It appears they probably used spiral steel boning, perhaps for movement sake, instead of something stiffer like white steel boning or even plastic whalebone, which would have been more period.

What appears on first glance to be “piping” at the seams, actually seems to be some type of off- white woven trim like a gimp or a braid, with what looks like small loops or picots on one side. This same “trim” is also used as binding. According to the Disney auction description, this is “chain-stitched trim”, so what look like picots, could actually be a machine chain stitch or decorative looped stitch used to attach the trim and add a decorative element.

It is laced in the back using the correct 18th century lacing style; however, instead of hand sewn eyelets which would be period for lacing, these stays have small, white, metal eyelets and uses an off-white, flat, shoelace style lacing. The shoulder straps tie to the front with the same thin, off-white lacing that is used in the front lacing.

Two of the versions of these stays are different in the back. I’m not sure why. In the photo below you can see where the “back” piece is clearly wider in one than the other. You can also see the “placket” which is where I’m assuming the Velcro fastening comes in. It appears to be boned in the photo on each side of the placket, but it may have something to do with the Velcro, as I’m not sure why they would need to have the extra boning there, as clearly there are bones on either side of the front piece.

SOURCES:
http://www.willofasparrow.com
http://www.costumersguide.com
http://demodecouture.com/realvict/1700s.html
- “Pirates of the Caribbean: The Curse of the Black Pearl” DVD
- “Period Costumes for Stage and Screen: 1500-1700” Jean Hunnisett
- “Corsets and Crinolines” Norah Waugh